Substream Magazine • 30th July 2022

Jupiter's Claim and 'Nope's Commentary On the Paralyzing Enamor of "Spotlight"

Jordan Peele’s Nope is every bit of a story that pays homage to larger-than-life tales fantasizing about how otherworldly entities would interact with our own. On the one hand, you could have keyboard synchronicity of Close Encounters and bicycle rides alongside the moon in E.T. In more extreme cases, War of the Worlds showed us how insignificant we would be in the grand scheme of things. While Nope mostly captures a story of a brother-sister duo striving for their big break, the film begins on

Substream Magazine • 11th July 2022

Marvel's Phase Four Has Our Elder Heroes Navigating the Grieving Process

Superhero media is usually our means of escape from the ills of the world. Some characters have abilities to heal wounds. A concept like death doesn’t have to be permanent with different timelines and ancient technologies. The prospect of good eventually triumphs over evil, no matter how bleak the outcome may seem. It hits us harder when the medium where the impossible can starts to mirror the reality we live in. At the end of Avengers: Endgame, even though the plan to defeat Thanos worked, it

The Pop Break • 11th July 2022

'Obi-Wan Kenobi,' 'Star Wars' and the Essential Nature of Failure

Failure feels like a dirty word to type, yet we can’t have success without it. We will all inevitably feel it before we reach the top of every mountain. Failure can be a crushing blow and the best teacher you’ll ever have. The Star Wars universe has been dealing with this very concept with classic characters as of late. Think about what we know about the Jedi order — a Jedi is not supposed to be overpowered by emotions like love or anxiety. Instead, the stoic nature of the practice is supposed t

Substream Magazine • 29th April 2022

Netflix's Woes and The Death of a Thousand Shows

Have you sat down, opened up your Netflix app, and had some content overload? Well, I bet you are not alone. Every week, there’s an endless stream of shows and movies at your disposal. For every Bridgerton and Stranger Things, it’s doubled by the amount of true-crime documentaries and dating shows. While the mega-streaming platform has had some financial woes lately, which led to the shuttering of its editorial vertical, Tudum, and many talented journalists losing jobs, there are many issues. Th

Substream Magazine • 11th January 2022

What Up With the Recent Pixar Movie Shifts To Disney+?

The last theatrical release by Pixar Animation Studios was 2020’s elf road trip film, Onward. It couldn’t have come at a worse time. The COVID-19 pandemic ramped up and closed theaters all over the world. Chains like AMC reduced capacity before shutting down completely, thus hurting the box-office gross for Onward. Up to that point, the lowest-grossing Pixar film was 2015’s The Good Dinosaur at $333 M worldwide. Given the dire circumstances, Onward made $133 M with a digital release on March 20t

Substream Magazine • 15th November 2021

How Pablo Larrain Depicts Sorrow Through the Eyes of Famous Women in ‘Jackie’ and ‘Spencer’

Grief hits all of us in a distinct, unique way. Losing someone or something wraps around you like thorns on a flower’s stem. The sharp, protruding apparatuses are present to encase the beauty that’s displayed like a do not touch sign on an art gallery. While many of us can retreat to the arms and hands of those who love us with a semblance of privacy, this is very different for those who bear the sheering light in the public eye. It’s as if they are wearing two globes of burden on their backs, t

Substream Magazine • 15th September 2021

The Matrix Franchise Prepares To Enter A World Where Everything Is Up For Questioning

At the beginning of 1999’s The Matrix, Thomas Anderson (Keanu Reeves) stands before his boss, Mr.Rhineheart (David Aston), who scolds him for being late. “You have a problem, Mr. Anderson,” he says. “You believe you are special, and somehow the rules do not apply to you…every single employee understands they are part of a whole; thus, if an employee has a problem, the company has a problem.” Afterward, at his desk, Thomas gets a package that contains a cell phone. Answering a phone call would se

Substream Magazine • 13th September 2021

The 40th Anniversary of MTV Felt Anything But the Grandiose Celebration It Deserves

For many young music lovers, an after-school wind down meant TRL. A place where Carson Daly would preside over a studio audience to count down the top ten songs of that day. It was a mishmash of genres, ranging from the pop stylings of Britney Spears and NSYNC to the nu-metal of Korn and Limp Bizkit, and hip-hop anthems from the likes of Diddy, 50 Cent, and Eminem. (Oh, who can forget Tom Green’s ‘The Bum Bum Song?) Young millennials would clash and vote each day to get their videos in the numbe

Substream Magazine • 2nd September 2021

In A Pandemic World, We Have To Think Outside A Pre-Pandemic Box Office

In 2019, Avengers: Endgame had an all-time opening weekend of $357.1 M and the biggest worldwide gross in history, with $2.97 B worldwide. With a summer season that had the likes of a Lion King remake ($1.3 B worldwide), John Wick: Chapter 3 ($320 M worldwide), Spiderman: Far From Home ($1.1 B worldwide), and two small horror hits like Annabelle Comes Home ($219 M worldwide) and Midsommar ($34 M worldwide), sales still took a 5% hit. Streaming services, such as Netflix and Hulu, and Amazon have

Medium • 24th February 2021

Bad Bunny and the Perils of Wrestling Gatekeeping

The intersection of pop culture and wrestling isn’t something new. It has been an integral relationship to both business models. Remember WrestleMania 10 when Burt Reynolds, Donnie Wahlberg, Jennie Garth, and Ronda Sheer were the celebrity guests? Little Richard sang the National Anthem that year. Mr. T and Muhammad Ali were at the very first Wrestlemania. Athletes such as Lawrence Taylor, the late Kevin Greene, and Dennis Rodman were in actual matches. Arnold Schwarzenegger close-lined Triple H

Substream Magazine • 23rd February 2021

EDITORIAL: Long Live The Robots

When I was younger, I was sitting in my grandmother’s living room watching middle-of-the-day MTV on a weekend. It was then when I first saw Daft Punk‘s video for ‘Around the World’ directed by Michel Gondry. The video has mummies, synchronized swimmers, people in skeleton outfits, and tall gray men all-dancing as different instrumentation to parts of the song. I will never forget the first time I heard that infectious baseline and those three words. I was hooked! In trying to find that song, may

Substream Magazine • 27th December 2020

Op-Ed: 2020, What 'Soul' Teaches Us About Deconstructing Purpose and Being Present

There are spoilers ahead for Soul if you haven’t seen the movie yet! Near the end of Soul, Joe Gardner (Jamie Foxx) gets the gig he’s been seeking for most of his life. He literally fights the afterlife to get back to playing piano for Dorothea Williams (Angela Bassett). After the show, he feels empty – wondering if that’s it. Joe had finally achieved that one thing, and it didn’t fill him with the euphoria that he hoped. Dorothea tells him a story about two young fish, young and old. “I heard

Substream Magazine • 8th December 2020

Op-Ed: Christopher Nolan, HBO Max, and the Fight For the Movie Viewing Experience

On December 28, 1895, The Le Salon Indien du Grand Café would hold the first-ever public screening. Located in a room of the basement in the Grand Café, the Lumière brothers would show 10 short films. Flash forward to 2019, the overall box office total was $42.5 billion. Movie theaters have been a staple of our experience for as long as we can remember. You buy your ticket, get your snacks, and prepare to escape into a world for two hours (depending on previews). Oh, the intermission jingle. The

Substream Magazine • 2nd December 2020

In Case You Missed It: 'The Last of Us Part II'

‘In Case You Missed It’ is an end-of-the-year column where we look back at some of the best movies, TV, and culture moments of 2020. Maybe there was a show that was great, but flew under the radar. Perhaps there was a movie that came out and may have gotten missed because of the craziness of the pandemic. Throughout December, we will look back at what 2020 offered us. Much like the heaviness that reverberate within the Spanish guitar chords of Gustavo Santaolalla‘s ‘Unbroken,’ the heaviness of

Substream Magazine • 27th November 2020

Is the Wonder Woman 84 Hybrid Release Model Here To Stay?

What a difference a year makes. In December 2019, the box office was gearing up for Oscar hopefuls such as 1917, Little Women, Bombshell, and Richard Jewell. While also welcoming big sequels like Jumanji: The Next Level and Star Wars: The Rise of Skywalker. (Even Cats, for some). In a year of changes because of the ongoing COVID-19 pandemic, the holiday box office season has all but been abandoned. That can be said for most of 2020 – big films such as F9: The Last Saga and A Quiet Place: Part II

Substream Magazine • 9th August 2020

Slipknot's 'We Are Not Your Kind': One Year Later

2014’s .5: The Gray Chapter found Slipknot at a crossroads. The album itself served as a monument for late bassist/friend Paul Grey and a testing ground to see if the band could continue forward. With losing Gray, the departure of drummer/founding member Joey Jordison, and the inclusion of two new members, (drummer Jay Weinberg and bassist Alessandro Venturella) you would think that the band would lose the rebellious spark it once had. Songs such as ‘Goodbye’ and the funeral pyre-like opener, ‘X

Substream Magazine • 31st July 2020

Billie Eilish's 'My Future' and the Comfort of Growing Alone

Humans are intrinsically creatures of habit. We continue to use our favorite mugs that have the ever-growing crack in it for morning coffee. We take the same routes to work, our taco dinner nights, and weekend meet-ups with friends after a seemingly long week. Habit is our safety net. It’s our way of saying to life that we are in control. If there is anything recent times have shown us, it’s that life will laugh at us when present our plans. Our patterns have been disrupted in recent months. Th

Substream Magazine • 15th June 2020

'It's Happening, Penny Lane': Ten Years of Drake's 'Thank Me Later'

“Here’s the thing with Drake. The verdict is really still out. They’re sharing the torch with your now. They’re not passing it. Kanye [West], Jay [Z], and [Lil] Wayne are by no means passing it. What are you going to do with it?” – Sway – ‘Better Than Good Enough (2010) 170 million records sold. Four Grammy awards. Tied with Madonna for the most top ten hits on the Billboard 100. Since the 2010 release of his debut album, Thank Me Later, Drake has become one of the biggest artists of all time.

Substream Magazine • 7th May 2020

And The Band Plays On: Ten Years of Deftones' 'Diamond Eyes'

On February 23rd, 2010, Deftones released their single, ‘Rocket Skates’ for free on their website. Fans flocked to it and the site promptly crashed thereafter. The start of the song leads with an aggressive and crunchy guitar riff from guitarist Stephen Carpenter and bridges into the fury of drummer Abe Carpenter’s cymbals. I must have played the beginning part of the song over a hundred times. ‘Rocket Skates’ had the youthful exuberance and hunger of the band’s 1995 album, Adrenaline. They had

Substream Magazine • 23rd April 2020

EDITORIAL: 'Leave It Alone', Mortality, and The Certainty of Love and Loss

I like to take random drives. Sometimes, it’s to wrangle a little bit of stress out of the washcloth of the day. Other times, it’s to flesh out some ideas or listen to new music. Traveling miles on an open road can be a different antidote from person to person. There’s almost a therapeutic hypnotism to it. On that drive, ‘Leave It Alone,’ the second single that Hayley Williams released from her Petals For Armor project came on shuffle. Have you ever listened to a song where the lyrics snap you