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Luca Guadagnino's 'Challengers' Brand of Sports, Sexuality, and Motivations Is A Winner

It would be wrong to quantify Luca Guadagnino’s Challengers as just a film about tennis, a love triangle, or a neat combination of those two different things in a tidy package. The brilliance of what Challengers is exists within the messiness of unquenchable desire as it pertains to athletic achievement and relationships. You almost have to look at it through the lens of the film’s very first scenes. It’s 2019, and Art Donaldson (Mike Faist) is hitting the tail end of his tennis career. As he’s
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'Arcadian's Bug Infested Sci-Fi Drama Does Much of What You Already Know

Ben Brewer’s Arcadian contains much of what you’d expect from a sci-fi apocalyptic story, taking a sample from plots in past forms like I Am Legend or A Quiet Place. Something has happened that quickened the fall of humanity involving humongous, almost humanoid bugs. There isn’t a clear consensus on how they arrived and the inflection point of their overrun, but Michael Nilon’s script uses the character in the story, which makes some creatives guesstimate how that happened. Some rules are simple
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'Sting's Dose of Arachnid Terror Is Not Going To Make You Want To Put A Nightlight On

The combination of spiders and the horror genre is usually a slam dunk of assured creepiness. I have seldom encountered anybody who doesn’t get spooked by the thought or sight of those eight-legged arachnids. It’s precisely what writer/director Kiah Roache-Turner is counting on with ‘Sting,’ a film that takes place entirely within a Brooklyn apartment building held together by prayer and scotch tape. A massive snowstorm within Sting’s particular time frame confines all the residents to their res
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Godzilla x Kong: The New Empire Packs A Punch, But Languishes In Not Knowing How To Make Them Matter

2021’s Godzilla vs. Kong understood what audiences were coming for and gave them that in heavy doses, along with the human aspect to tie it all together. Director Adam Wingard made sure the legendary monsters fought enough to justify the premise while a world subplot put humankind in danger. Eventually, the two put their differences aside to destroy a mechanical abomination created by the same humans they want to save. The job is completed! With sequels, they almost ask you to be bigger, badder,
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'Azrael's Silent Post-Apocalyptic Bloodbath Leaves Too Much Up To Blurred Interpretation

There’s been a recent influx of films like John Woo’s Silent Night, Brian Duffield’s No One Will Save You, and A Quiet Place stories that elect either no or a very scant usage of dialogue. The thought process with this process is portraying emotions and plot developments through body language and facial expressions. That, paired with an elevated sense of secondary parameters, can make the experience effective without speaking. That is easy to do when sounds are the decider of life and death (lik
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'Road House' and It's Many Tonal Shifts Can't Make It To Last Call

One man with a checkered past and considerable hand-to-hand combat expertise saves a run-down bar. It was a good enough premise for the 1989 original Road House, released during the over-the-top 80s action boom of Stallone, Van-Damme, and Schwarzenegger. The late great Patrick Swayze’s commitment to the James Dalton character was enough for the price of admission. That’s part of the reason why shows like Family Guy have referenced the film in its furious use of pop culture references. director D
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'Birdeater' Asks For You Give Every First Impression A Second Look

Bachelor parties (or stag parties, as they are known in the United Kingdom or in this case, Australia) are the supposed debaucherous sendoff as one male ventures off on the momentous journey of marriage and says goodbye to the single life for good (hopefully). It’s a self-contained amount of time where the groom’s closest friends will recall the early days and maybe lament about how things will never be the same again. There have been enough depictions of media that show you what is believed to
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Alex Garland's 'Civil War' Is Harrowing For What It Shows and Chooses Not To Say

In writer-director Alex Garland’s Civil War, the United States is eating itself into war through political division. Although this conflict has many factions, Garland’s story is locked into one specific view of the contentious, bloody contest of ideologies. In the world Civil War exists, these entities might as well have interchangeable faces. That might be a hard sell because each carries noticeable differences and ideals in our current two-party platform. Rather than speak to that and further
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'Ghostbusters: Frozen Empire's Fun Nostalgia Gets Held Back By The Many Elements It Has To Present

2021’s Ghostbusters Afterlife was a formal handoff to the next generation of paranormal adventurers while addressing the heaviness of not having the late Harold Ramis return with the classic cast and a tribute to his Egon Spengler character. So, it makes sense that the 2024 follow-up Ghostbusters: Frozen Empire moves into a more business-as-usual; let’s get down to busting out the proton pack track. Director Gil Kenan and co-writer Jason Reitman demonstrate they know what audiences love about th
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'You'll Never Find Me' Is An Electric Dance Between Two Characters and Shady Stories

We use alone time to recalibrate and reset. It’s when we can parse our thoughts and memories into their proper places and make actual sense of things. But there are times when solitude feels like a straight jacket—especially when it’s used to escape from something awful. Even if you outrun the hammer of consequences, guilt will always be nipping at your heels. Indianna Bell and Josiah Allen’s You’ll Never Find Me has a relatively simple setting with a particular expertise in the story to keep th
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'The Greatest Hits' Power of Music Can't Push Through Conventional Plotting

The healing power of music is undeniable, but there’s another element to that. While a particular song can trigger vivid memories of bliss that feel like they just happened yesterday, the medium can also remind us of things we’ve lost. Writer-director Ned Benson’s The Greatest Hits prominently centers on that premise within a fantastical, romantic exploration of cutting through grief and the place of art in that process. Moving on is easier said than done, but it can be even more complex when yo
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The Endings: 'The Zone of Interest' and How the Karmic Heaviness of Darkened Hallways Lead Into Warnings of the Future

The Endings is a new column chronicling some of the biggest films in the 2024 Oscar race and how their powerful endings are essential and long-lasting to the success of their narratives. These accounts are based on the notes of the first viewings of the film and the bigger context of how they feel over time.

I wanted karma. I desired it. After seeing Jonathan Glazer’s The Zone of Interest in October of 2023, it’s a natural emotion to desire. Even as if the New York theater walked out steeped in
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'Stopmotion' Combines Fable With Animation Into An Entertaining Nightmare

There’s something symbiotically macabre when the animation style of stop-motion and the horror genre come together. It’s a match made in heaven, really. Scenes in horror films are predicated on setup and the eventual payoff (sometimes on numerous occasions). With stop-motion, there’s a meticulous nature that comes with it. In a highly detailed process, you are making figurines feel like they have a life of their own — much like the characters who have starred in our nightmares, like Freddy Krueg
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'Dune: Part Two' review: Grander In Scale, But Its Savior Complex Commentary Is The Bread and Butter

Is being near the proximity to power too hard to resist? Can the themes of prophecy and revenge overpower even the purest of minds? If Denis Villeneuve’s 2021 Dune is viewed more as an appetizer to Frank Herbert’s massive world of spiritual, physical, and theological warfare, then Dune: Part Two sinks its teeth deeper into what all that means. When we last left this story, Paul Atreides (Timothée Chalamet) and his mother, Lady Jessica (Rebecca Ferguson), had joined the Fremen on the desert plane
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'Orion and the Dark' review: Darkness Isn't So Scary When You Dance Within The Balance

Life is full of the good and the bad — there’s no way around it in the terms and conditions we all agree to. When you’re a kid, that concept tends to be simplified in some cases and amplified in others. You have an aura of invincibility because it feels like you’re cloaked from the existential pressures life hits you in your older years. Housing and food are provided. Death isn’t a fully realized concept as you are at life’s beginnings. The biggest crisis you might face is getting homework done
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'Bob Marley: One Love' review: Proves To Be Too Unfocused For It's Legendary Subject

You might be tempted to look at a specific part of Bob Marley’s for a legacy as extensive, far-reaching, and how powerful as it still is. Reinaldo Marcus Green’s biopic Bob Marley: One Love begins with the famous press conference before the 1976 Smile Jamaica Concert. It’s right within the height of political violence within the vacuum of two political groups at odds. But Marley is at peace. He’s not doing this to sway to any political agenda or monetary gain; it’s for peace. It’s because he bel
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'Out of Darkness' review: Oh, The Horrors The Endless Abyss Hides

Andrew Cumming’s Out of Darkness comes equipped with its own prehistoric language but speaks to a universal fear of things that like beyond the reaches of the light. Setting the suspense, adventure, and sometimes horror-dripped film 45,000 years ago sets some sparse, but engaging parameters. Back then, everything was tailored around survival — hunting, finding shelter, and not being vulnerable to all sorts of predators were the main drivers of the day. Thus, rather than having things rely on a d
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‘Lil Nas X: Long Live Montero’ review: Tour Documentary That Paints With Broad Strokes

There’s a part in the documentary Lil Nas X: Long Live Montero where he’s on a tour bus and starts playing Denice Williams’s 1976 classic, “Free.” The chorus’s parts resonate most with his soul when she sings, ” I’ve got to be free, free, free, oh/I just got to be me, me, me. The singer, rapper, and songwriter born Montero Lamar Hill, states this song has a hold on him, and he’s later seen in a skating ring moving carefree to the track again. If a theme is apparent throughout Lil Nas X’s career,
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'Love Lies Bleeding' review: Kristen Stewart and Katy O'Brian Are A Winning Pair Inside a Tale of Love, Dark Secrets, and Pumping Iron

Out of all the small gyms in New Mexico, she had to come into mine. The first shots of Rose Glass’s second full-length feature, Love Lies Bleeding, start with an animalistic tone as slow-motion shots track groups of people going through various workouts. The sweat, muscles flexing, and raw energy almost take you by the hand and never let go. There’s a particular sheen cinematographer Ben Fordesman goes for that acts as another character within itself. If there is one circular theme that encompas
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'The Moogai' review: Important Message Gets Lost In the Conventionality of It's Horror Style

The one thing you will immediately notice in writer-director Jon Bell’s The Moogai is the strong character design of the monster itself. It’s a sometimes horrifying practical physical embodiment tied to terrible atrocities committed against the “Stolen Generations” between the years of 1910 and 1970. That was when mixed-race children (who were deemed “half-caste) of Australian Aboriginal descent were forcibly taken from their families due to Australian policies on the books. To this day, the exa
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'Look Into My Eyes' review: Lana Wilson's documentary make the world of psychics accessible

You can be honest with me. There’s a healthy amount of skepticism when people hear the word psychic or believe there’s a way to peer into the afterlife. Some people may not even believe in places we go after hitting our inevitable fates of death entirely — let alone think that people can see visions through a crystal ball or tarot cards. One is because spirits contacting us sounds too scary and ridiculous, and also, it’s just easier to accept once someone is gone; that’s it. It would be more pai
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'Argylle' review: Has As Many Twists and Turns as It Does Spies and Not To It's Benefit

You can’t lie and say that Matthew Vaughn’s Argylle doesn’t at least look intriguing and bombastic from its trailer. The spy-action-comedy hybrid has always been fertile ground for twists. Allegiances get twisted, broken, and re-aligned in unexpected ways. Perhaps the bad guy is only a figurehead to the overarching evil figure behind them, or a death that occurs at the beginning of the narrative reveals itself. It’s all fair game, and Argylle certainly takes advantage of those inhibitions — perh
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'Scrambled' review: A Leah McKendrick Showcase Which Laughs and Cries At Fertility's Ups and Downs

If you haven’t heard by now, growing older isn’t easy — especially with the societal expectations of marriage and children. It can feel like a pressure cooker if you are the odd person out while everybody around you is experiencing these milestones. Thankfully, we’re starting to get where people feel more comfortable opting out of the quintessential “dream” of husband/wife, a house with a white picket fence, 2.5 children, and a pet, and doing whatever feels natural. But it doesn’t mean that’s ea
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'I Saw The TV Glow' review: Jane Schoenbrun's Expansive, Artistic, Nightmarish Take On Identity Purgatory

Writer-director Jane Schoenbrun’s I Saw The TV Glow is not what I would call a happy film. The feeling of anxiety and dread only gets worse as you reach its conclusion. What you can be pleased about is that a piece of art depicting a certain kind of experience that is provocative, intelligent, inclusive, and fine-tuned to the fears of the trans community was created for the mass populous to see. There are almost an infinite amount of ways that you can portray how loneliness feels. That concept i
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